By I. Q. Hunter, Deborah Cartmell, Heidi Kaye, Imelda Whelehan
A full of life and stimulating examine representations, mutations and diversifications of 'the alien' in literature, movie and tv. utilizing notions of the alien and alienation in a greatly outlined experience, the individuals disguise early technology fiction, from the gothic extraterrestrial beings of Dracula and H.G. Wells, to the vintage fifties chilly conflict sci-fi video clips, similar to battle of the Worlds, twentieth-century reworkings of varied 'alien' metaphors, corresponding to the Fly video clips and the Alien sequence, and comedian diversifications at the subject matter comparable to Mars assaults. relocating past the traditional style obstacles of the alien, specific essays glance, too, at 'race' as an alien situation, and on the use of ailment and affliction as a metaphor for alienation in glossy movie and fiction. Alien Identities is a well timed, conscientiously themed and much-needed research of an more and more renowned topic.
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Extra info for Alien Identities: Exploring Differences in Film and Fiction (Film/Fiction)
63. 32. John Quincy Adams quoted in Leonard I. Sweet, ‘The Fourth of July and Black Americans in the Nineteeth Century: Northern Leadership Opinion Within the Context of the Black Experience’, Journal of Negro History, 61: 3 (1976), pp. 256–7. 33. Sojourner Truth was in fact freed together with all other slaves in New York State exactly a year later in an unprecedented decision by the State Legislature. See, for example, Sweet, ‘The Fourth of July’, p. 266. 34. Chase-Riboud, Sally Hemings, pp. 55–60.
Steve Erickson propels his Jefferson and Hemings forwards to the year 2000 via labyrinthine historical twists and imaginative turns. He makes the most of his Sally’s ex-centric subject position so that Sally Hemings is exigent, she is at once the subject of the novel and the ethical and political field beyond its frame. Erickson asks the kind of question that Ellison’s Invisible Man asks: ‘What if history was a gambler ... 42 In Arc D’X history is a tragic conundrum that is offered as an explanation for a degenerative and apocalyptic present and Sally Hemings’s personal crisis is represented as a specific curse forged within the crucible of slavery.
Satan Bugs in the Hot Zone 29 3. Tom Clancy, Executive Orders (London: Harper Collins, 1998); Laurie Garrett, The Coming Plague (Harmondsworth: Penguin, 1995); Patrick Lynch, Carriers (London: Mandarin, 1996); Joseph McCormick and Susan FisherHoch, The Virus Hunters (London: Bloomsbury, 1996); Pierre Ouellette, The Third Pandemic (London: Hodder, 1997); Lincoln Preston, Mount Dragon (London: Bantam, 1997). 4. Ouellette, The Third Pandemic, pp. 325–6. 5. Preston, The Hot Zone, p. 129. 6. Garrett, The Coming Plague, p.