By Diana Weynand
The scalability, functionality and Emmy Award-winning workflow of ultimate lower professional five make it the 1st collection of specialist editors in all places. For these clamoring to get in at the motion, this best-selling quantity makes use of a sequence of class-length classes designed to supply a robust starting place in all points of the electronic video enhancing powerhouse. Readers keep on with the step by step directions to accomplish the book's hands-on workouts, utilizing the undertaking documents at the accompanying DVD. grasp instructor Diana Weynand covers every thing from uncomplicated modifying abilities to complicated issues akin to developing transitions and movement results, real-time colour correcting, titling suggestions, and extra. formerly released as ultimate lower seasoned HD, this revision has been up to date to hide all of ultimate minimize seasoned 5's new gains, together with larger caliber results, RT severe with Dynamic RT, modifying multi-camera tasks, nearer integration with Apple's different inventive instruments and extra.
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Extra info for Apple Pro Training Series: Final Cut Pro 5
Magnifying tracks does not in any way change the length of the clips in the sequence, only their appearance in the Timeline. 1. In the bottom of the Timeline, move the pointer over the fourth control from the left, the Track Height control. Click different columns to see the track height options. Press Shift-T repeatedly to toggle through these options. 2. Click the second track height column to return to that option. 48 49 3. Choose Sequence > Settings, or press Cmd-0 (zero). Click the Timeline Options tab.
Press Shift-left arrow or Shift-right arrow to move the playhead 1 second (30 frames) in either direction. Repeat this as you look at the Current Timecode fields to see the timecode location change. NOTE In the upper left of the Canvas is a Timecode Duration field. This field displays the duration or length of the entire sequence and does not change as you move the playhead. 46 47 10. Press the Home key to position the playhead at the beginning of the sequence. Playing a Sequence There are two approaches to playing a sequence: either using specific buttons and controls on the interface or using keyboard shortcuts.
6. From the Browser, open the 98A-amanda clip again, or you can click the Recent Clips pop-up menu and select it. Once you set edit points on a clip, those edit points stay with the clip until you remove them or remark the clip. 7. From the Audio bin in the Browser, open the VO_17 clip, and play it. You will use this clip in its entirety. 8. To apply the Mark Clip command using a shortcut, press the X key. Just as when you used the Mark Clip button, an In point is placed on the first frame of this clip, and an Out point is placed on the last frame.